Back in Cuba he joined Temperamento, the progressive jazz outfit led by reedsman Javier Zalba, collaborating with the group for some 15 years and recording the likes of 1998’s En El Comienzo, which won Best Jazz Album at industry awards Cubadisco.In 1999 Fonseca released his solo debut, Tiene Que Ver. His tastes were always eclectic: hard rock, for its energy and basslines. “Makes all possibilities seem possible, and the moment feel perfect, intensely true,” declared the New York Times. Juilliard String Quartet, Beethoven – Davidovsky – Bartók ReviewYo-Yo Ma, Six Evolutions – Bach: Cello Suites Review *Does something new with the old, without ever denying its origins, and opens himself to the world,” insisted France’s Le Figaro.
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Cuban pianist and composer Roberto Fonseca has been a force to reckon with since he was a teenager, and it has been 20 years since he released his first album. American jazz, taught at school, consumed in between, with Herbie Hancock, Keith Jarrett and Oscar Peterson on rotation. “Working with Fatou open my mind about the possibilities of percussion and guitar,” says Fonseca. Music made in Africa and Brazil. “Writing the track ’7 Rayos’ was life-changing for me,” says Fonseca. Danay Suárez) A live album, 2015’s At Home, was also recorded at the Jazz in Marciac festival. “Every day, still.”And always, ¡siempre!, the music of Cuba – that vibrant, tenacious, creatively fecund Caribbean island. Hailed as sensual and modern, as strongly spiritual and crazily trailblazing, Zamazu’s audacious vision involved 20 guest collaborators and augured a glittering future. Amira Medunjanin & TrondheimSolistene, Ascending Review “I am presenting a Cuba without borders,” says Fonseca. Roberto Fonseca - Cadenas (Feat. Fonseca’s seamless flow between tradition and forward leaning sounds is impressive.
Along the way he has achieved the aim with which he began his professional career in the early 1990s: “Wherever people are, I want them to hear my music and say, ‘This is Roberto Fonseca’.” An artist of prowess and ideas, with a questing jazz sensibility and deep roots in the Afro-Cuban tradition, Fonseca continues to astound. 4:21. Born in 1975, Fonseca grew up in San Miguel del Padrón in the unassuming Barrio Obrero on the southeastern outskirts of Havana. His 2007 album The compositions present a varied sound from song to song and the guest artist are excellent. Deezer: free music streaming. Yesun combines Fonseca’s strong AfroCuban rhythmic sense with many styles to produce a musical statement that is powerful and imaginative. Having proved himself exceptional (indeed, earlier in 2019 he was awarded the distinguished Ordre des Arts Letters from the French Ministry of Culture), Fonseca is free to take more risks, break new ground, take his music – and the music of Cuba – further. “There is so much life here, so much music.
The composition is well-written with interesting tempo changes and the outstanding all female vocal quartet, Gema 4. His solo is energetic, but always focused on telling a story. Aged 21, he played piano accompaniment to an Italian singer on a tour of Italy. Join Roberto Fonseca https://robertofonseca.lnk.... Kachucha highlights the creative process of apprehension of dance in Cuba, how important it is to dance, move, to let it go. Roberto Fonseca is a Havana-born composer and pianist that is combining his AfroCuban heritage with musical sounds of the jazz tradition and today’s popular music. Released on Wagram on 18 October 2019, and featuring guests including Grammy-winning saxophonist Joe Lovano, lauded French-Lebanese trumpeter Ibrahim Maalouf and rising star Cuban rapper Danae Suarez alongside retro-modern keyboards, electronic beats and samples and those earthy AfroCuban rhythms, Yesun is the album that Fonseca has always wanted to make. But I mixed all these elements, created a bridge and loved the result. Watch and listen Roberto Fonseca perform alongside each other in this first ever global broadcast. Copyright © 2020 Staccatofy, All Rights Reserved. Fonseca’s music was sought after for upmarket advertising campaigns.
His two elder half-brothers are a drummer and a percussionist; the young Roberto was four-years-old when he started playing drums – his first professional gig was in a Beatles cover band – before taking up piano aged eight. 2016’s ABUC (“***** Incandescent Cuban contrasts” – The Guardian) told the story of Cuban music past, present and future with a sprawling cast of over 30 guests. Nowhere was this change in his compositional approach more obvious than on the brazen, compelling ‘7 Rayos’, which fuses Cuban patterns with classical music, West African instrumentation, electronic music and rhythmic spoken word poetry. His father, Roberto Fonseca Senior, played the drums. British-based impresario Gilles Peterson asked him to arrange and co-produce the 2010 Havana Cultura project: a double album showcasing the reggaeton, hip-hop, Afro-jazz and more of Cuba’s new musical generation.
Roberto Fonseca is a Havana-born composer and pianist that is combining his AfroCuban heritage with musical sounds of the jazz tradition and today’s popular music.